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Checklist

Album press kit and asset preparation Checklist

Album press kit and asset preparation

An album press kit is your campaign's foundation. Every asset — from bio to one-sheet to embargoed audio — must be accurate, on-brand, and delivered on time. Journalists, playlist curators, and broadcasters will work from these materials, so gaps or errors ripple through your entire campaign.

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Written Assets

Visual Assets

Audio and Video Assets

Quotes and Artist Information

Organisation and Distribution

Quality Control and Final Checks

A well-prepared press kit saves time, prevents errors, and demonstrates professionalism. Spend the time upfront — you'll benefit every time a journalist or curator reaches for your materials.

Pro tips

1. Write your one-sheet as if a journalist has ninety seconds to grasp the album's story. If your one-sheet requires explanation, you've buried the angle. Lead with why this album matters, not what songs are on it.

2. Never release audio to journalists without a clear, locked embargo. A single broken embargo early in your campaign creates chaos — outlets will publish before your coordinated rollout, and you'll lose momentum across the rest of your campaign.

3. Supply track-by-track notes even if you don't plan to do interviews. Journalists often review alone; good notes answer their questions before they ask, reduce back-and-forth emails, and give critics specific language to use when discussing your artist's work.

4. Version all your digital assets with a release date in the filename (album_presskit_2024_01_15). When you update something and resend, outlets will download the new file rather than using an old version cached on their system.

5. Include a simple PDF checklist in your press kit folder listing every file inside and what each is for. Journalists appreciate clarity, and a checklist prevents the 'I can't find the high-res photo' email at 5 p.m. on deadline.

Frequently asked questions

How long should we keep embargoed audio links active?

Keep all embargoed links live for at least six weeks after the album's release date. Many publications work on longer lead times, and some journalists review after launch to write retrospectives or features. Test links monthly to ensure they haven't expired.

What resolution do we need for print magazine submissions?

Supply images at 300 dpi (dots per inch) in CMYK colour mode for print publications. A typical full-page magazine image needs to be at least 7×10 inches at 300 dpi. Always ask the publication's specific requirements, as they vary.

Should we include a physical press kit as well as a digital one?

Yes, for major print publications and broadcasters, particularly those with physical offices. A USB drive or printed folder with the one-sheet, artwork samples, and contact card shows effort and is harder to lose than a digital link. For most digital-first press, a well-organised digital kit is sufficient.

How do we prevent embargo breaches when multiple outlets have access?

Use a secure, traceable method like a private Spotify link with view-only access or a password-protected server that logs downloads. Send embargo instructions in the email body and as a separate document. Follow up the day before the embargo lifts to remind key contacts and offer quotes or interview slots.

What should we do if we discover an error in the press kit after sending it out?

Email all recipients immediately with a clear subject line: 'CORRECTED: Album Press Kit' and explain the change briefly. Reupload the corrected file and include a note in the email saying what was updated. Most journalists will use the corrected version without fuss.

Related resources

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